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"Within a few seconds you know you are in the presence
not merely of a technical brilliant guitarist but of a remarkable musician,able
to deliver Turina’s message as no one ever has before - no, not even the
great Segovia - and able to find an emotional depth in José’s
Sonata and Gerhard’s underplayed Fantasia that is very rare in the guitar
world !...In the modern Spanish repertoire Franz Halasz is unsurpassed.“
Colin Cooper - CLASSICAL GUITAR -London "Worldstar Franz Halasz visited Tapiolasali:
„Simply electrifying! Rarely does one hear profundity
coupled with such technical prowess,producing what one searches for in
a recording: entertainment,enlightenment,& sheer beauty coupled with
boundless sagacity. This interpretation of the increasingly present José
Sonata is head and shoulders above the rest (yes, I’ve heard the Iznaola,
Bream recordings & the others) ... Highest Recomendation.“
"His
musicality and seamlessly fluid technique mark him as the most remarkable
guitarist I have heard in many years"
"Guitarists like him are not only pointing the way to the future; they are leading the way!" CLASSICAL GUITAR-London "Kristallklar bis in die hintersten Winkel formt Gitarrist
Franz Halasz in 'Royal Winter Music' die Trapezakte halsbrecherischer
Grifftechnik. 'Drei Tentos' für Gitarre öffnen eine reiche Palette
dynamischer Potenzen, die bis in zarteste Pianissimo-Äußerungen
reichen." "Halasz
is indeed remarkable, mainly for the phenomenal clarity and precision of
his musical vision...Halasz played with tremendous passion, commitment
and musical insight ... One suspects that this is an artist for whom much
of the guitar's familiar ways, ist repertoire, ist insularity, hold no
interest. Excellent!"
„What a marvellous record ! ...Halasz gorgeous performance
steals the wind from under Bream’s sails... It is the Spanish Guitar Disc
to beat this year. Cheers, cheers. and more cheers!“
"'Pick of the month'.Halász plays with consummate skill, alive to the essential fluctuating rubato and a whizz with Takemitsu's demanding chord shifts" BBC MUSIC MAGAZINE „Outstanding playing, then , in a recorded sound of luminous
clarity and warmth - indeed, it’s one of the most natural and vivid accoustics
I have encountered on a disc for a while. Alltogether a most succesful
release.
"Il giovane Franz Halász, negli ultimi anni affermatosi
come uno dei chitarristi píu brillanti della sua generazione, in
questo suo ommagio a Bach, conferma il suo talento tecnico accanto ad un
limpido senso dello stile e ad una grande intelligenza musicale. Halász
retituisce le tre Sonate con unampiezza di respiro e una varietà
di fraseggio ammirevoli...Le sue esecuzione constituiscono una delle migliori
possibilitá di ascolto fra le pubblicazioni dedicate alle trascrizioni
chitarristiche di Bach."
„Mit stolz erhobenem Haupt betritt da ein junger
Musiker die Arena, mit Kraft und glänzender Technik, und mit der Gabe,
seinem Instrument auch Schmeicheln und Lachen, Hohn und Verachtung, Tränen
der Trauer und der Freude klanglich abzuverlangen.“
„Halasz gives an impassioned performance of an intensity
I have not heard before. Franz Halasz’s superlative powers of persuasion
make this CD a contender for the guitar recording of the year , so far
as I concerned. I declare him to be the guitarist most likely to convert
listeners to an appreciation of contemporary guitar music.“
"Franz Halasz's recital showed a command of his instrument that together with his finely developed musical sense indicates a major guitar talent. Dynamics of blazing intensity brought Petrassi's Nunc to life as never before. For once ,one felt that the guitar really is a concert instrument commensurate with all the others!" "Franz
Halasz, a young virtuoso with the stage presence of a veteran, presented
one of the most brilliant accounts of the Ginastera Sonata I have ever
witnessed."
"Alles
war er tat war vollkommen musikalisch und virtuos und ich habe niemals
eine Aufführung des Scherzo aus der Sonata von Ginastera gehört,
die flüssiger und ‚nahtloser' als seine gewesen wäre, die mich
immer näher an den Rand meines Stuhls gebracht habe."
"Was
Franz Halasz, gebürtiger Amerikaner, da aus seinem Instrument an Klangfarbenpracht
hervorzaubert, sucht Vergleichbares vergebens. Man hatte bei Halasz Interpretation
das Gefühl, in eine räumliche Tiefe einzutauchen, so plastisch
gestaltete der Gitarrist hier Vorder- und Hintergrund."
"Zwei
Kompositionen von Mauro Giuliani entfalteten die Begabung des Künstlers
in geradezu brillianter Weise, ... die beinahe orchestrale Dimensionen
vermittelte. Daneben verfügte Halasz über eine bestechende Leichtigkeit
perlender Läufe."
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