"Worldstar Franz Halasz visited Tapiolasali:
From some people you just know, right after the first note has barely
vanished, that here is a Star. American born german guitarist F.H. visited as
a soloist with Tapiola Sinfonietta and undoubtedly nobody will forget him.
One would have listened endlessly to F.H´s encores. Not just the acoustic
virtuosopiece where the artist created a whole rich sounding orchestra from
his guitar... "
HELSINGIN SANOMAT
„Simply electrifying! Rarely does one hear profundity coupled with such
technical prowess,producing what one searches for in a recording:
entertainment,enlightenment,& sheer beauty coupled with boundless
sagacity. This interpretation of the increasingly present José Sonata is head
and shoulders above the rest (yes, I’ve heard the Iznaola, Bream
recordings & the others) ... Highest Recomendation.“
SOUNDBOARD -USA
"His musicality and seamlessly fluid technique mark him as the most
remarkable guitarist I have heard in many years"
John Duarte-Gramophone Magazine
"Guitarists like him are not only pointing the way to the future; they are
leading the way!" CLASSICAL GUITAR-London
"Kristallklar bis in die hintersten Winkel formt Gitarrist Franz Halasz in
'Royal Winter Music' die Trapezakte halsbrecherischer Grifftechnik. 'Drei
Tentos' für Gitarre öffnen eine reiche Palette dynamischer Potenzen, die bis
in zarteste Pianissimo-Äußerungen reichen."
STEREO 07 / 06 - Germany
"Halasz is indeed remarkable, mainly for the phenomenal clarity and
precision of his musical vision...Halasz played with tremendous passion,
commitment and musical insight ... One suspects that this is an artist for
whom much of the guitar's familiar ways, ist repertoire, ist insularity, hold no
interest. Excellent!"
GUITAR REVIEW-New York
„What a marvellous record ! ...Halasz gorgeous performance steals the
wind from under Bream’s sails... It is the Spanish Guitar Disc to beat this
year. Cheers, cheers. and more cheers!“
AMERICAN RECORD GUIDE
"'Pick of the month'.Halász plays with consummate skill, alive to the
essential fluctuating rubato and a whizz with Takemitsu's demanding chord
shifts" BBC MUSIC MAGAZINE
„Outstanding playing, then , in a recorded sound of luminous clarity and
warmth - indeed, it’s one of the most natural and vivid accoustics I have
encountered on a disc for a while. Alltogether a most succesful release.
We shall be hearing more of Franz Halasz.“
FANFARE -USA
Petrassi is followed by the even more extreme music of Luciano Berio, his
Sequenza XI, written for Eliot Fisk. Halász negotiates the notorious
technical difficulties of all three works with ease, yet he also invests his
performances with much lyricism, managing to find beauty, particularly in
Berio, where others have found only aggression." Boston Classical Guitar
Society
"Il giovane Franz Halász, negli ultimi anni affermatosi come uno dei
chitarristi píu brillanti della sua generazione, in questo suo ommagio a
Bach, conferma il suo talento tecnico accanto ad un limpido senso dello
stile e ad una grande intelligenza musicale. Halász retituisce le tre Sonate
con unampiezza di respiro e una varietà di fraseggio ammirevoli...Le sue
esecuzione constituiscono una delle migliori possibilitá di ascolto fra le
pubblicazioni dedicate alle trascrizioni chitarristiche di Bach."
CD CLASSICA-Italy
„Mit stolz erhobenem Haupt betritt da ein junger Musiker die Arena, mit
Kraft und glänzender Technik, und mit der Gabe, seinem Instrument auch
Schmeicheln und Lachen, Hohn und Verachtung, Tränen der Trauer und
der Freude klanglich abzuverlangen.“
GITARRE & LAUTE-Germany
„Halasz gives an impassioned performance of an intensity I have not heard
before. Franz Halasz’s superlative powers of persuasion make this CD a
contender for the guitar recording of the year , so far as I concerned. I
declare him to be the guitarist most likely to convert listeners to an
appreciation of contemporary guitar music.“
Colin Cooper-CLASSICAL GUITAR-London
"Franz Halasz's recital showed a command of his instrument that together
with his finely developed musical sense indicates a major guitar talent.
Dynamics of blazing intensity brought Petrassi's Nunc to life as never
before. For once ,one felt that the guitar really is a concert instrument
commensurate with all the others!"
"Franz Halasz, a young virtuoso with the stage presence of a veteran,
presented one of the most brilliant accounts of the Ginastera Sonata I have
ever witnessed."
CLASSICAL GUITAR-London
"Alles war er tat war vollkommen musikalisch und virtuos und ich habe
niemals eine Aufführung des Scherzo aus der Sonata von Ginastera gehört,
die flüssiger und ‚nahtloser' als seine gewesen wäre, die mich immer näher
an den Rand meines Stuhls gebracht habe."
GITARRE & LAUTE - Germany
"Was Franz Halasz, gebürtiger Amerikaner, da aus seinem Instrument an
Klangfarbenpracht hervorzaubert, sucht Vergleichbares vergebens. Man
hatte bei Halasz Interpretation das Gefühl, in eine räumliche Tiefe
einzutauchen, so plastisch gestaltete der Gitarrist hier Vorder- und
Hintergrund."
Dortmunder Rundschau-Germany
"Zwei Kompositionen von Mauro Giuliani entfalteten die Begabung des
Künstlers in geradezu brillianter Weise, ... die beinahe orchestrale
Dimensionen vermittelte. Daneben verfügte Halasz über eine bestechende
Leichtigkeit perlender Läufe."
Ruhr-Nachrichten-Germany
Nürtingen. Eine ausgefallene Besetzung, ein außergewöhnliches Konzert:
Das Duo Halász faszinierte das Nürtinger Festivalpublikum am
Donnerstagabend mit der seltenen Kombination von Gitarre und
Cembalo."...Schon der Klangkontrast war frappierend: hier der runde,
mittels Vibrato bewegte und bewegliche Solo-Ton von Franz Halász, der
eine zierliche Gitarre nach einem Vorbild "klassischer" Zeit spielte, dort der
typisch spitze, in rauschenden Akkorden obertonreich glänzende Cembalo-
Klang. Ihn brachte Débora Halász auch solistisch, mit Bachs jugendlich-
experimenteller Toccata in D (BWV 912) in einer effektvollen Interpretation
zur Geltung.
Auch die Gitarre hatte ihren Solo-Auftritt, nämlich mit Manuel de Fallas
Trauermusik auf Claude Debussy und der "Danza del Molinero" aus "Der
Dreispitz". Hier spielte Franz Halász detail- und stimmungsreich, farbig,
strukturiert, mit virtuoser Technik, kantablem Ton und überzeugender
Gestaltungskraft."
Südwest Presse
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